Which take on Blake?

It’s amazing to explore the range of literature on Blake, all forming part of a larger conversation around his work. There are so many different facets to Blake that have been written about: his poetry, art, political views, theology and mysticism, historical context, views on gender, symbolism, the British mythos, humanism, science, materialism, modernism, his followers, his influence in the Nineteenth Century, comparisons of Blake with Goethe, with Yeats, with other Romanticists and writers, his supposed madness, use of language, way of writing, influence on twentieth-century popular culture, construction of visionary myth – on and on the list goes. Some of these are directed towards Blake or his work, while others take Blake’s perspective and mix it with another, and others again take Blake into another field altogether. Whatever is done, it seems quite clear there is a density to Blake’s visionary oeuvre which permits a multivalent unfolding into surrounding literature.

An exploration of this literature is what I’ve been doing recently, in preparation for a literature review. Having familiarity with what has been done gives greater ability in constructing something new to add to the established body of literature. In a literature review, the new work is placed in relationship with what has previously been explored, and this relationship is critically examined. This serves to orientate one’s contribution within a greater dialogue of the topic at hand—in my case, William Blake.

Yet as has been mentioned, Blake’s work has many facets and it connects many disciplines. Such is to be expected of any genius in the creation of literature. This diversity contributes both interest and validity to Blake, although I have found one persistent question exists for me in this journey of research: What did Blake want from his work? The answer is already given, quite explicitly, by Blake himself:

“The Nature of my Work is Visionary or Imaginative; it is an Endeavour to Restore what the Ancients call’d the Golden Age.”
– William Blake, “A Vision of the Last Judgment’1

To restore a Golden Age. This statement invites yet more questions: What exactly is this Golden Age? Why did Blake endeavour for it? And how did he intend to restore it? Such questions require extensive study. As I continue my journey (and blog it) further aspects of my research on Blake will be revealed along these and other lines.

In whatever way Blake’s statement of purpose measures up to what I am creating in relation to Blake, I would like to think I am somehow fulfilling both the need for scholarship in my work and also a sense of respect towards Blake’s intentions. I would not claim to follow Blake in any kind of discipleship, nor to aid in his purposes, but I do seek to understand him as clearly as possible, whether or not I agree with the result of this. From there, I can at least say I have thoroughly and accurately explored the topic I am researching, and thereby contribute something worthwhile to Blakean studies. This is my aim as I now see it.

 

Notes:
1 – From Gilchrist, Alexander, The Life of William Blake, vol. 2, edited by Dante Gabriel Rossetti, Macmillan and Co. 1880, https://en.wikisource.org/wiki/Life_of_William_Blake_%281880%29,_Volume_2/Prose_writings/A_Vision_of_the_Last_Judgment.

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